[ELECTRIC LIGHT ORCHESTRA - Twilight]



"Gainax Company, Limited (株式会社ガイナックス, Kabushiki-gaisha Gainakkusu?) is a Japanese anime studio most well known for the series Neon Genesis Evangelion and its ambitious, experimental works and ambiguous endings.

[...]

History

The studio was formed in the early 1980s as Daicon Film by university students Hideaki Anno, Yoshiyuki Sadamoto, Takami Akai, and Shinji Higuchi. Their first project was to make an animated short for the 20th Annual Japan National SF Convention, also known as Daicon III, held in 1981 in Osaka, Japan. The short film is about a little girl who fights all sorts of monsters, robots, and spaceships from earlier science fiction TV shows (including Ultraman, Gundam, Space Battleship Yamato, Star Trek, Star Wars, Godzilla, and many others) until she finally reaches a desert plain and pours a glass of water on a dried-out daikon radish, which immediately resurrects itself and grows into a huge spaceship and beams her aboard. While this animated short was ambitious, its animation was rough and low-quality.

The group made a much bigger splash at the 22nd Annual Japan National SF Convention, Daicon IV, in 1983. The short they produced for this convention started with a recap of the original short, showing highlights of the little girl's adventures with much better animation quality; then it showed the girl all grown up: wearing a Playboy bunny suit, fighting an even wider selection of creatures from all sorts of science fiction and fantasy movies and novels (appearances include various Mobile Suits from the Gundam series, Darth Vader, an Alien, a Macross Valkyrie, a Pern dragon, Aslan, a Klingon battle cruiser, Spider-Man, and a pan across a vast array of hundreds of other characters) as she surfs through the sky on the sword Stormbringer. The action was set to the song "Twilight" from the group Electric Light Orchestra. The use of this song, however, was unlicensed, preventing the short from being officially released on DVD, making the limited laserdisc release (Daicon Film) of the Daicon shorts very rare and highly sought after. The song was used again, legitimately licensed for the opening of the Japanese live-action TV series Densha Otoko, which had opening animation by GONZO. The Daicon IV short firmly established Daicon Film as a talented new anime studio. The studio changed its name to Gainax in 1985.

In 1995 Gainax produced perhaps their best known series, the commercially successful and critically acclaimed Neon Genesis Evangelion. In the wake of Evangelion's success, Gainax was accused of tax evasion and its president, Takeshi Sawamura, was sentenced to jail for accounting fraud[2].

Gainax marked their 20th anniversary with the production of the sequel to Gunbuster, Diebuster."

(Source: Wikipedia)

Une "success story" au pays du soleil levant ou comment parvenir au top en commençant de rien. Quand j'ai découvert cette vidéo il y a quelques années, j'ai jubilé devant la qualité du travail pour des amateurs à l'époque.

En parlant d'amateur, jetez un coup d'oeil sur "Hoshi No Koe" réalisé par un seul bonhomme et sa copine pour doubler l'héroine de ce fameux OAV. Histoire peu commune mélangeant SF et mélancolie sur une histoire d'amour que le temps et l'espace rend impossible.

[THE STUDS - Thursday]



Le vide sidéral. J'adore.

[LIMP BIZKIT - Break Stuff]

Its just one a those days when you dont wanna wake up
Everything is fucked, everybody sucks
You dont really know why, but you wanna justify
Rrippin someones head off
No human contact, and if you interact your life is on contract
Your best bet is to stay away mother fucker
Its just wanna those days

REFRAIN:
Its all about the he said she said bull shit
I think you better quit, lettin shit slip
Or youll be leavin with a fat lip
Its all about the he said she said bull shit
I think you better quit, talkin that shit

Its just one a those days
Feelin like a fraight train
First one to complain, leaves with a blood stain
Damn right, Im a maniac
You better watch your back
Cuz im fuckin up your program
And if you feel stuck up, you just mucked up
Next in line to get ffucked up,
Your best bet is to stay away mother fucker
Its just one of those days

REFRAIN

So come and get it

I feel like shit
My suggestion is to keep your distance
Cuz right now Im dangerous
We've all felt like shit,been treated like shit
All those mother fuckers
That wanna step up

I hope you know im like a chain saw
I'll skin your ass raw
Aand if my day keeps goin this way I just might
Break something tonight (2X)
Im like a chainsaw
I'll skin your ass raw
And if my day keeps goin this way I just might
Break your fuckin face tonight

Gimmie somethin to break (3X)

How bout your fuckin face

I hope you know Im like a chainsaw (what)
A chainsaw (what)
A mother fuckin chainsaw (what)

So come and get it

REFRAIN

So come and get it

[DIZZEE RASCAL - I Luv U]

I luv u
III...I..I..I Luv u
I luv I Luv I Luv U
III...I..I..I Luv u
III...I..I..I Luv u

I luv I I I I Luv u
I I I I I Luv u
III...I..I..I Luv u
II Luv u I luv u
I I I I I
I I LLLuv u u u

[Dizzee Rascal:]
Yo If that girl know's where you stay thats poor
some whore banging on your door what for
pregnant? what're you talking about this for
fifteen, she's underage thats raw
and against law 5 years or more
and she wants a score and half of a draw
some kind of friend that you try and ignore
that whore got you pinned down to the floor
but its your own fault you said three magic words (i love you)
when thats the one for the birds
when you said that she forgot other boys
its over you better start buying the toys
there was no intention in front of your wife
that she knows this that she's ending your life
its a real shame you got hacked by the whores
its a real shame that kid probably aint yours

[CHORUS]

[Dizzee Rascal:]
That girl' some bitch ya know
she keep calling my phone
she dont leave me alone
she just moan and groan
she just keep ringin me at home
these days i dont answer my phone

[Girl:]
That boy' some prick you kna'
all up in my hair
thinks that i care
keeps following me here
keeps following me there
these days i cant go no where

[Girl:]
Aint that your girl
[Dizzee:]
Nah it aint my girl
[Girl:]
I swear that's your girl
[Dizzee:]
Course it aint my girl
[Girl:]
She got juiced up
[Dizzee:]
oh well
[Girl:]
She got chatted up
[Dizzee:]
oh well!

I swear thats your man
[Girl:]
I aint got no man
[Dizzee:]
You was with that man
[Girl:]
He was just ANY man
[Dizzee:]
He got hotted up
[Girl:]
oh well
[Dizzee:]
He got whacked up
[Girl:]
oh well!

[Dizzee Rascal:]
alright, she's a bad girl ima buss doe
captain rusko with a crossbow
she came she got picked off yo
nah its not a love ting, get lost hoe
dizzy rascal come down like snow
with freezing cold flows like moscow
dumb hoe, get me upset, guns blow
bitch, you're not ready for skid row
leap low dizzy rascal dig low
big feet for the force with my big toe
i got no chaps, no chains not much doe
get juiced but you dont get love though
dont slap or you might get a ho-hoe
jambo coming through like rambo
love ting takes two like tango
but she aint my wifey she can go

[CHORUS]

[Dizzee Rascal:]
listen, i like your girl so you better look after your girl
or i might just take your girl and make your girl my girl
switch your girl with michelle
switch michelle with chantelle
play chantelle with shennele
lyrical clientelle but i aint a bow cat, i dont like the smell
im gonna go through a shell and make a boy feel unwell

that girl's from school, that girl's from college
that girl gives brains, that girl gives knowledge
that girl gives head, that girl gives shines
that girl gives bj's at all times
she looks decent, she looks fine
but dont talk about wifey she's not mine
she got batches, 6 in a line, believe me thats not a good sign

[CHORUS]

Quel son de malade! Mais qui est Dizzee Rascal me direz vous? Le porte parole du "Grime", un mouvement rap alternatif matiné d'électro aux beats très mécaniques et froids... Tout un programme, il faut que je fasse écouter ça à Colin, ça nous donnera une direction intéressante pour nos compos sur son "mpc" xD

[CAM'RON - Oh Boy]

[Intro: Cam'ron]
Just blaze (Oh Baby) oh baby, uh, killa

[Verse 1: Cam'ron]
All the girls see the (Boy) look at his kicks (Boy)
Look at this car (Boy) all I say is (Oh Boy)
Look mami I'm no good I'm so hood
Clap at your soldiers sober then leave after it's over
Killa, I'm not your companion or your man standin
Hit me when you wanna get rammed in, I'll be scramblin
With lot's of mobsters shop for lobsters
Cops and robbers listen every block is blocka (Blocka!!!)
But she like the way I diddy bop you peeped that
Mink on maury kicks plus chanel ski hat
She wan't the (Boy) so I give her the (Boy)
Now she screamin out (Boy, Boy, Boy, Boy)
Now she playin with herself Cam dig it out lift her up
Ma it's just a fuck girl get it out pick on up
They wan't the boy Montana with guns with bandanas
Listen to my homeboy Santana

[Verse 2: Juelz Santana]
Y'all niggas can't fuck with the (Boy) I'm tellin ya (Boy)
Put a shell in ya (Boy) now he bleedin (Oh Boy)
Get him call his (Boy) he weezin he need his (Boy)
He screamin (Boy, Boy, Boy, Boy)
Damn shut up (Boy) he's snitchin (Oh Boy)
This niggas bitchin (Boy) he's twistin (Oh Boy)
If feds was listenin (Boy) damn, whoa, damn....
I'm in trouble need bail money, shit
Where the fuck is my (Boy) I got trust for my (Boy)
That's why I buck for my (Boy) that's my nigga (Oh Boy)
He 'gone get his (Boy) he got love for his (Boy)
That's my (Boy, Boy, Boy, Boy)

[Verse 3: Cam'ron]
When he got caught with the (Boy) we went to court for the (Boy)
Just me and my (Boy) and we sayin (Oh Boy)
Be on the block with my (Boy) with the Roc fella (Boy)
When the cops come......squalin!!!!
Yeah this is for the sports cars, Benitas, Jimmy's
PJ's, old school, eighteenth at the sports bar
Eight or nine on the (Boy) holla at your boy
Killa...holla....listen, it's the D-I-P (Boy)
Plus the R-O-C (Boy) you'll be D-O-A (Boy)
Your moms will say (Oh Boy)
Shit, ain't no stoppin 'em guns we got alot of 'em
Matter fact guroos start poppin 'em
Then slap up his (Boy) clap up his (Boy)
Wrap up his (Boy) get them gats (Oh Boy)
Diplomats are them (Boy) for the girls and the (Boy)
Say (Boy, Boy, Boy, Boy)

[Verse 4: Juelz Santana]
Now when they see Cam and his (Boy) they say damn (Oh Boy)
Santana's that (Boy) that squeeze hammers (Oh Boy)
Canons and bandanas glammers we don't brandish
Blam at your man's canvas then scram with your man's leaded
And I'm back with my (Boy)

[Cam'ron]
Until that man is vanished away in the Grand Canyon
These kids are grand standin
niggas demand randsome over them grands scramblin (Boy, Boy, Boy, Boy)
Well fuck it Van Dam 'em Cam a blam blam 'em
Call up his (Boy) I'm down south tannin
Mami I got the remedy Tommy's I bet the enemy
Hire me somebody but now my body your feelin like fanicky
Killa and Coppa we chill in Morocco for reela
We got what you chill it though and fill with them holla's, huh
It's the (Boy) I said it's the (Boy)
I'm the (Boy, Boy, Boy, Boy) Killa....

[FABE - L'impertinent]

J'persevère, balance du son façon trop sévère,
le faux devient vert et aussitôt il en perd ses vers,
façon père sévère, j'veux pas qu'mon fils devienne mercenaire
j'veux qu'il aime sa mère et son dictionnaire.
Visionnaire, missionnaire, idées fixées,
prêt à vexer si ton questionnaire commence à m'plaire,
j'opère, pépère, si tu fais l'affaire frère,
ta part du bénéf' faut qu'tu récupère...
Un monde austère, mais j'sers les poings,
les coudes et les dents, Paris résident, ça semble évident...
L'impertinent...

Ma façon d'envisager le rap est élémentaire,
par contre quand j'ai fini mon couplet c'est sans commentaires!
Documentaire, comme la B.U (bibliothèque universitaire)
d'la fac de Nanterre, mensonge on enterre,
envoie les mauvais songes en enfer, persévère,
pour qu'unité soit entité, que la réussite choque,
1, 2 ça suffit pas! Ca m'suffit pas, j'en veux plus
des frères qui réussissent, des pneus qui crissent,
des virages, que nos voeux ne soient plus des mirages,
des visages joyeux, paysages soyeux,
mon vieux, mieux vaut tard que jamais, je
t'avoue que j'crois pas au monde merveilleux ici-bas.
Les belles images, c'est pour sony et toshiba, Paribas,
passe à l'action, j'fais mon boulot.
Remplace tise et bêtise par montée d'l'oscilloscope,
syncope prévue pour droiter l'extrême.
J'm’incruste en intru, envoie l'instru, me v'la sur la scène.
L'impertinent...

Si Jean-Marie courrait aussi vite que j'l'emmerde
il s'rait tellement loin...
Avant j'les détestais, mais aujourd'hui j'les aime
tellement moins...
C'est physique, biologique,
au bleu, blanc, rouge j'suis allergique.
Microphone branché, j'me sens tellement bien...
J'leur en fait baver, ces navets, j'peux les braver.
La vie est une manif', la France une vitre et moi un pavé.
Un raz de marrée sur un village de politiciens,
ils volent tellement qu'ils ne savent pas nager!
PDG d'l'entreprise de l'impertinence,
provoque l'incontinence des vieillards séniles à la présidence...
Qu'est-ce que t'en pense?
Si c'est du bien parles-en autour de toi, faut qu'ça avance.
Fabe dans la place, j'vous tire ma révérence.
L'impertinent...




Le blog du "Meufa Beufa" est assez instructif à la lecture pour mieux comprendre le bonhomme et son "way of thinking". Voici l'adresse, juste ici.

[LA RUMEUR - L'ombre sur la mesure]

Je suis l'ombre sur la mesure le violent poison
À l'écart de tous soupçons
Dans ce sombre récit dont personne se méfiera
Il s'agira de sang sur les murs au crépuscule d'une bavure
Je murmurais la haine enclavée dans les ZUP en région parisienne
L'amour comme rampart à la dérive au registre de ces âmes charitables

Plutôt naïves se perdent donne à ma palabre son caractère
Sourire Kabyle dans les artères de ma ville
Voilà à quoi l'instinct de malfaiteurs ma foi se familiarisera aux effusions sanguines
D'une trop commune routine la rue se masacre sous le ciel des damnés
N'importe quel trou du cul aujourd'hui est armé
Hier encore l'ombre d'un regard de travers sur le pavé se dissipait
Dans un silence de mort le crime désormais a la parole trop facile
Crois-moi pour qu'on en rigole de joie sous ces lampadaires qui éclairent la misère
Et si j'exagère l'obscurité la plus dense n'est jamais loin de la lumière
La plus vive mourir de ces rumeurs de peur et de paranoia à des heures tardives
Sous le tranchant de la lame d'un cran d'arrêt à vos risques et périles
Derrière les guirlandes d'acier d'une maison d'arrêt ou sur un disque vinyle

Refrain (x3)
Considère moi comme une bombe dont tu as allumé la mèche
Et qui égrène les secondes d'une saison blanche et sèche


Je suis l'ombre sur la mesure à la pointe d'une écriture
L'ombre de ces murs aux milles blessures que des bouches murmurent
Entre deux rondes de furies bleues du plus criard au blaffard d'un girofard
Je tisse ma toile noire sur des coeurs agards
Et je traîne mes guêtres sous les fenêtres de ces ruelles
Qui ont le lèpre mon coeur au fond de la cour des miracles en débacles
Sous les arcades malades où crisent les voies croisées de la faim
Et du vice je suis l'ombre cerclée de gris rouillé verouillé sur une aire
Où rien ne brille où les corps se compriment où le vue décline
Et où brigadiers fulminent regarde ces silhouettes grises
Dont les rêves gisent sur le pavé couvert de pisse
Elles poussent toutes la même porte
En crachant sur le trotoir de leur illusions mortes
Nous n'avons à perdre que nos pensées ternes
Te dire on t'aime avec le feu dans les yeux
De ceux qui sont près à tanter la diable pourvu qu'il garnisse leurs tables
Et conjurent la misère le fer et la pierre qui les enssèrent

Je suis l'hombre sur la mesure et je sature dans les graves de cette basse
Qui montent d'une cave parmis la crasse et l'éther d'une trop vieille poudrière

Refrain (x3)

On en découvre tous les jours, merci Colin.